TOO MANY WORDS

Not writing about the riots because thousands of words are being written and spoken about the situation and I don't have anything useful to add. Those who have said the most useful things are not politicians or pundits but people whose actions are better than words, people like Camila Batmanghelidh. Or like the man in the street who had served time in jail and told a reporter that instead of wasting money and time to lock young mayhem-makers in jail for a few months, they should be put to work clearing up the mess and making amends to the communities, and individuals they have damaged. And though I'm certainly not a Daily Telegraph reader, this article also hit some nails squarely on the head. 

I had no intention of making a word-painting and the image below evolved like this: first I covered a large sheet of paper with splashy abstract shapes of the gestural kind. Then I decided to do a splashy self-portrait over the top. Then I painted over it with a grid of heavy white brushstrokes. Then I wanted some abstract shapes to fill each rectangle of the grid. Then I saw that letters made the best shapes. Then the words emerged. 

Greenyellowbluered    Acrylic and ink on paper

 

The next picture is not relevant to anything and I regret falling into the cat-blogging trap once more but Pushkine (she is female) dropped in again and is just too photogenic to resist. 

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THE SILENCE OF CREATION

Standing in the shower a couple of days ago I started to think about creation - not the Creation but simply making something that wasn't there before - like this, I suppose. First it was a thought...then words typed on a keyboard...inserted into software...digital drawing added.... uploaded to the internet...and finally: a Blog Post. Not worthy of the fancy name creation yet fitting the description of something which didn't exist before I caused it to exist.

Our articulated thoughts - however repetitious, witty, profound, perceptive, polished, crude, cliché, original or derivative, are our products and we are floating in an ocean of our own and other people's products. The books on our shelves, the CDs, DVDs, downloads, pictures, posters and objects we cherish demonstrate our need to be fed by the creations of those minds we choose to consort with, as well as our own urge to be creators. We feel that creativity is a state to be attained, nurtured, promoted, prized and rewarded. When we are not being creative we feel guilty, worthless, ordinary. We worship at the altar of the Great Creatives and aspire to be in their pantheon, or to knock them out of it, or to serve them.

But what if it all vanished suddenly? Not a single book on our shelves, nothing on our walls, blank pages in notebooks where there were poems, stories, sketches, ideas. Nothing on television, nothing on the internet, nothing in the cinema, theatre, club, gallery, museum, concert hall. Whoosh! All gone. Silence. 

So, standing in the shower, this is what I was thinking. Creation, as I experience it, comes out of nothingness. Silence. The absence of creations. 

 
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NECESSITY

Am adding this to the POEMPICTURES page. Does it need explanation?

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WHERE DO IMAGES COME FROM?

You're looking at a blank sheet of paper with no thought in mind, no desire to draw anything you see or anything you remember, and then you pick up a pen and start drawing. Lines and shapes emerge as your hand moves across the paper and pretty soon there is an image: something that didn't exist before, something that you didn't plan or intend and perhaps don't even understand. What's that all about? Is it like dreaming? Is it lucid dreaming? Lucid doodling?

Whatever you call it, isn't it wonderful and amazing that there really is another way of thinking which is not thinking at all but a kind of blanking? A sort of meditation which squeezes pictures out of you like toothpaste from a tube?

I've been drawing like that recently with felt pens on A3 sheets of paper. Here are two of them. The only digital alterations I've done are to add a black background to the bird of paradise drawing; the original is on white.

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ULTI-INTI EXTRACT 5

Well........"most sentences can be cut up at random and reassembled without too much loss of meaning or music..." Excuse me? Will you please step outside and repeat that? Help! I am being beaten up by an army of poets and other wordsmiths. Please! Look at the date: it was 1983. This is 2009 and I no longer agree with the rash statement I wrote then. I apologise. But the rest is okay, innit?

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