Out of my window at dusk on Sunday.
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Showing posts with label snow. Show all posts
Showing posts with label snow. Show all posts
Tuesday, February 07, 2012
Tuesday, January 04, 2011
PRAGUE
That's where I was
at Christmas.
They say that Prague
is a beautiful city and there is much to
see. I'm sure this is true but the piercingly
cold, wet, sleety, slippery, snowy, windy
weather made it impossible for shivering
chickens such as me and my sister to see
anything much besides the foam on a cup of
hot chocolate. I exaggerate: my sister
is much braver and more of a sightseer
than I am so I dragged along reluctantly
to make sure I'd be there to pick her
up if she slipped on the ice. That's how
heroic I am. I know it's reprehensible but
all I really wanted to do was to sit in a
warm cafe or in the hotel room.
Maybe some time, not
in winter, I could go back and see
all the interesting things I missed this
time. Maybe in other seasons the people of
Prague become more friendly and maybe they
even smile or reply when you ask for directions.
I've been to lots of cities and lots of countries
and in some of those places I didn't speak
the language but never, ever, have I encountered
such ubiquitously unfriendly attitudes as
in Prague - shopkeepers, tram conductors,
ticket sellers, information people, passers-by,
etc. etc. either did not respond
or responded in a manner which can only be
described as hostile. Very few people we
came across spoke any language other than
Czech - fair enough, but did they need to
be so brusque and dismissive? Maybe some
foreign tourists behave badly in Prague so
the citizens have decided all foreigners
are a nuisance. There were a few
exceptions: the staff at our hotel and the
taxi drivers booked to and from the airport.
Anyway here are a
few pictures I took in Prague. I wish you
all whatever you most desire in your heart
of hearts. Bonne Année, mes amis.
Labels:
astronomical clock,
Christmas,
cities,
cold,
crowds,
Czechoslovakia,
Prague,
snow,
tourists,
travel,
unfriendly,
winter
Sunday, December 12, 2010
IT'S THAT TIME OF YEAR
IT'S THAT TIME OF
YEAR...
when everything accuses:
YOU'RE LATE
LATE LATE AGAIN!!!
The calendar, the
weather, the people streaming in and out
of shops, the seasonal cards arriving already,
the Things To Finish This Year list
I made last year and all the lists I've
ever made....my whole life
suddenly seems like one big end-of-year
guilt-ridden apology to myself
and others:
SO SORRY I'M LATE!
No. Not true
that I'm sorry. Can't be true. If it were
true I wouldn't keep on being late.
Lateness must be a state I enjoy. A state
I prefer to the state of punctuality,
the state of finishing things, the state
of satisfaction. Lateness must be what I'm
really good at. If I annoy, disappoint
or inconvenience others with my lateness,
my unfinishedness, that's their problem,
isn't it? And if I disappoint, enrage, inconvenience
myself that's my problem, isn't it?
Yes. That is my problem.
(I did the drawing below using the wondrous HARMONY application created by Mr.doob, Ricardo Cabello).
(I did the drawing below using the wondrous HARMONY application created by Mr.doob, Ricardo Cabello).
To round
off my last post, I must say something
about Snow which
I have just finished reading. I
now have no doubt that the mythological KA or
double was present in the author's
mind when he worked out the structure of
this book.
First
of all, the fictional narrator 'Orhan'
is the double of the real author, Orhan Pamuk.
Secondly, Orhan tells the
story based on his dead friend Ka's diaries
and re-traces Ka's journey, trying to see
things as the poet did four years ago. The
'double' theme is taken up again in the
close relationship between the two teen-age
boys, Necip and Fazil, who read each other's
minds. After Necip is shot, Fazil says to
Ka: "It's
possible that Necip's soul is now living
inside my body."
Other
instances of doubling, as well as of duplicity,
are scattered throughout the story. This
is particulary intriguing to me because I
was searching for the lesson implied
in my dream. I have yet to figure that
out but never mind the dream - was I impressed
by
Snow?
Impressed,
yes. It's an impressive achievement. If it
was a sculpture, it would be a public monument
standing in a town
square. A realistic sculpture but with modernist
touches, lots of intricately crafted detail
and symbols. Was I moved by it? No.
Its monumentality, its intention to be
an important novel creates a distance like
those barriers not letting
you get too near valuable works of art
in a museum. While I admire Pamuk's grasp
of the complex politics and beliefs of his
compatriots and the tremendous skill with
which he weaves them into a story, he doesn't
make me care about individual
characters. Apart from being told repeatedly
that Ka's love-object, Ipek, is stunningly
beautiful, what do I know about her personality?
It has less substance than the snowflakes
which dominate the setting. I feel the same
about the other protagonists (perhaps Necip
is the exception). They are all actors on
a stage, reading their roles, and once
I've left this theatre, I forget them. The
other factor which alienates me from this
novel is the surfeit of information: too
much, too much! Just when my attention
is captured by an incident or conversation,
I'm immediately pulled away to look at something
else, some irrelevant detail. This is infuriating.
Voilà.
I'm obviously not going to join the ranks
of those who adore Orhan Pamuk's writing
but I will, definitely, take my hat off to
him.
Monday, November 29, 2010
MYSTERIOUS DREAM CONNECTIONS
At about 2 am a couple
of days ago I
pulled out a book on Egyptian mythology
from the shelf where it sits with
many other books about ancient Egypt. As
you know if you're a regular visitor
here, I feel an intimate familarity with
ancient Egyptian culture, art and ambiance,
even though I have no actual connection
to Egypt. It's one of those déja
vu things,
if you believe in reincarnation, or simply
affinity if you don't. Anyway I suddenly
wanted to re-read about the Ka.
In art the ka was
portrayed in several ways: a person identical
to the person whom it was associated
with, as a shadowy figure, as a person
with two upraised arms on his head.........The
ka is a manifestation of vital
energy........The ka could also be seen as the conscience
or guide of each individual, urging kindness,
quietude, honor and compassion......In
images and statues of the ka,
they are depicted as their owner in an
idealized state of youth, vigor and beauty......The
ka is
the origin and giver of all the Egyptians
saw as desirable, especially eternal
life.
EventuaIly
I went to bed and had this dream: I
was watching a panel of critics discussing
a book which was either called SNOW or
had that word in the title. The people
on the panel were very c0mplimentary
about it but one of them began
arguing vehemently. She was a gnarled
old woman with a prominent nose
and mouth and dusky skin colour.
She was sarcastic about
books and films portraying Jewish subjects
in banal ways and I thought she meant that SNOW was
one of these. But her tone suddenly changed
and she began to praise it warmly, saying
it wasn't like any of the others.
That's all I remember
but the dream was extremely
vivid, as if I'd been watching a live debate
on television. When I woke up I immediately
turned on the computer and googled snow to
see if there is a book by that name. There
is: it's SNOW by
Orhan Panuk.
I'd never heard of it (shame on me) so
I read a summary of the plot:
Pamuk's hero is
a dried-up poet named Kerim Alakusoglu,
conveniently abbreviated to Ka: Ka
in kar in Kars. (The
word for snow in Turkish is Kar).
Though most of the
early part of the story is told in the
third person from Ka's point of
view, an omniscient narrator sometimes
makes his presence known, posing as a
friend of Ka's who is telling
the story based on Ka's journals
and correspondence. This narrator sometimes
provides the reader with information
before Ka knows it or foreshadows
later events in the story.
As if that wasn't enough
synchronicity, I wanted to find out if there
was yet another link in the dream to ponder,
so I googled snow together with Jewish .
I got Phoebe
Snow (real name Phoebe Ann Laub)
a jazz/blues singer, best known for
her 1975 hit The Poetry Man, a
video of which I found here .
Pamuk's character
in SNOW is a 'poetry man' - Phoebe
Snow is Jewish but changed her name
(her double, her KA).
What are all those
dream and real connections trying to tell
me? What do you make
of this sequence of serial synchronicities:
1. Ancient
Egyptian KA or
double> 2. dream:
discussion about book called SNOW> 3. dream: old woman
with dusky skin dismisses banal Jewish productions>4. in reality SNOW is book by Orhan Panuk
>5. main character is poet called KA>
6. in
the book KA has a 'double' called
Orhan Panuk >7. Turkish word for snow is Kar >8. singer Phoebe SNOW is
Jewish, her real ('double') surname is Traub
9. another doubling: she has become a Buddhist>
10. her skin colour is dusky: people have
thought she is black>11. her hit song was The
Poetry Man.
I have, of course,
ordered Panuk's book SNOW.
Labels:
Ancient Egypt,
Buddhist,
coincidence,
double,
dreaming,
Jewish,
Ka,
mythology,
Orhan Panuk,
Phoebe Snow,
poet,
shadowy,
singer,
snow,
spirit,
synchronicity,
The Poetry Man
Thursday, January 14, 2010
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