Friday, February 27, 2015
CRITICAL MOMENTS REVISITED
The Guardian online has just published this comic strip which I emailed them yesterday morning, in reply to a request in the Family section of the newspaper's print edition last Saturday, for early childhood memories. Here's the relevant Guardian page about their Witness project. Thanks Guardian, we meet again!
Lately I've been thinking that autobiographical material, depicted in some kind of cartoon style, is probably the visual language I feel most at home with. Defining one's own creative voice is a difficult, ongoing process and in my case, complicated by over-exposure to too many influences and languages, both literal and metaphorical. From earliest childhood I absorbed the sounds and inflections of French, Russian, German, Spanish, Portuguese, English and later on, Italian. Alongside this multilingual cacophony (which seemed normal) was a multi-dimensional, restless family lifestyle, never completely at home in any one place. So I suppose it's not surprising that I've always found it problematic to choose just one form of expression, one medium, one direction, one style that I can call "mine" among so many possibilities. But who knows, I might change my mind tomorrow.
Posted by Natalie d'Arbeloff at 2:21 am